painting tiny bunnies

March 8th, 2010

I don’t have a lot of time to paint these days, so I’ve started to paint smaller (a whole lot smaller – 2″ x 2″). It’s been fun to create tiny paintings, which surprises me, because I love to painting large. My first tiny painting was an elephant.

Here’s my latest mini painting:

Tiny Bunnies

Tiny Bunnies

If you don’t have a lot of time to paint, consider shrinking your canvas or paper!

Do you have any tips on how to fit in art for fun when you don’t have a lot of time?

painting on a smaller scale

March 6th, 2010

I’ve wanted to break out my acrylic paints for a while, but I just haven’t had the time. Once I get started on a painting, I want to continue with it until I’m finished. Today I found a solution. Instead of painting as big as I did in college (48″ x 24″ or larger) or as big as I usually do now (around 8″ x 10″), I decided to go smaller. A LOT smaller. Here is my tiny painting for today (2″ x 2″).

a tiny painting of a very large elephant

a tiny painting of a very large elephant

So, next time you want to paint but don’t have the time, think small!

How do you squeeze in creativity when you don’t have enough time to make art?

notes from 3 illustrator workshops: Steve Metzler, Patrick Collins and Regina Griffith

March 5th, 2010

I attended three illustration workshops in January and February. The talks were given by Steve Metzler (Dutton), Patrick Collins (Henry Holt), and Regina Griffith (Egmont). Here are some notes from those sessions that I thought might help both illustrators and writers.

Steve Metzler gave a talk about Dutton, then reviewed several portfolios, including mine. I learned almost as much from what he said about other portfolios as I did from what he said about mine. If you have a chance to have him review your portfolio, take it.

- Characters are selling in picture books and graphic novels, especially quirky characters (like Fancy Nancy, Skippy Jon Jones, Diary of a Wimpy Kid, and Baby Mouse).

- A good character leads to a good story.

- He likes to see people in portfolios, not just animals.

- 2012 is supposed to be the height of the new PB market (baby boom in 2006).

- If you’re an illustrator, also be a writer.

- He works on everything from PB to YA.

- Sees a need for graphic novels for boys (7-9 year olds).

- Don’t ever do a PB dummy where it’s all the same (all full page spreads, all vignettes, all single pages, etc.)

Patrick Collins gave portfolio reviews to three lucky people, followed by Q&A at a local SCBWI meeting. He didn’t review my portfolio, but I learned a lot from the portfolios he did review.

- A publisher might choose your art or your writing, but not always both – even if you do both.

- Try to have a focus in each image. How do you get the focal point of the image to come forward and have everything else fade into the background? Try varying the tones/values.

- Kid’s books are all about characters and storytelling.

- Pay attention to how you draw people and animals and how you incorporate them into your backgrounds.

- You really need to put in the time to make progress if you want to have a career in art.

- Make sure you have character in your characters. They should look like living people, not mannequins. (You can achieve this through expressions, body language and interaction between characters.)

- Need to have more than one perspective/point of view.

- Think about how you can show focus in a busy image. You don’t want people to miss the important part of the scene.

- The reason an art director looks for a consistent style is so they know what you can/will do if they hire you. You can always market a different style later. Show your best style at the time.

Regina Griffith gave a talk about Egmont, then reviewed several portfolios, including mine. As with Steve Metzler’s talk, I learned almost as much from what she said about other portfolios as I did from what she said about mine. Regina was really great about reviewing a portfolio and then talking about what was working or not with the whole group. If you have a chance to have her review your portfolio, take it.

- Not publishing many PBs right now. Focusing on older books.

- She’s looking for a broad range with real kid appeal.

- Most of the books on their list right now are US books, but they do have a couple that are foreign books.

- No graphic novels yet, but maybe in the future.

- Can’t imagine not liking animals in clothing. It depends on the text though. (In response to a question about anthropomorphized animals.)

- Picture books should have a plot.

- In a crowd scene, everyone should have different personalities.

- Page turn surprises in picture books are a good thing.

- It’s good to show you can fill a page with spots/vignettes or with full page spreads.

- It’s good to have black and white images in your portfolio when picture books are in a slump.

notes from the NY SCBWI conference

March 4th, 2010

I realized the other day that I forgot to post my notes from the SCBWI NY conference in January. I can’t believe it’s been a month already; it seems like last week. So, here are my notes from the conference – finally!


SCBWI NY Conference Notes:

Friday – Illustrator’s Intensive

There were really great speakers and a portfolio exhibit. This was a good year for the illustrator’s intensive. The only bump in the road was not finding out we had an assignment until the day before the conference. Lots of other people didn’t know either.

Paul O. Zelinsky (my favorite speaker of the day – even if it was too early in the am):

- He uses the style/medium that fits the story he’s illustrating and not just the style that people expect him to use.

- When he’s inspired by something, he doesn’t do a copy of that picture or style, he finds his own unique way to do it.

- Did the art project with us later, when Kevin Hawkes was speaking. Paul gets the creativity award for the day. He didn’t have any glue for the project, so he used the mints on the table … brilliant!

Lisa Desimini:

- It’s important to do personal work and what inspires you. It will find a way into your work.

- After reading a poem/story to illustrate, she circles the main concept words. Then she takes those words, or phrases, and brainstorms about them to figure out what to illustrate for each scene or poem. (*This is something I’m going to try in the future to illustrate something other than what’s expected.)

Kevin Hawkes:

- Curved lines are not static.

- Curved diagonals have a lot of energy.

- Figure out where the emotional center of the story is going to go, then try not to hijack that (especially when working with another author’s text).

- Shapes that come to a point can be scary to a 5 year old.

Art Director Panel (All said they don’t look at source books – look online instead):

Ann Bobco (Atheneum, McElderry and Beach Lane):

- Make sure pictures are not redundant to the text. The example she showed was from Seven Hungry Babies (out this spring). The story the illustrations tell is why mama bird gets so tired by the end of the book. Each time she gets food for the baby, she faces some kind of challenge, which is not in the text.

- Art samples need to speak to her as if they are coming from a real person or tied to an individual working in that voice.

Chad Beckerman (Abrams and Amulet):

- Likes illustrators that don’t need to be pushed, but come up with ideas, character sketches, etc.

- Passion – give more than is expected. Don’t settle just to get the work done. Picture books are a continuous job. It’s a job.

- Art is a constant exploration, not, “I’m done./This is all there is.” It’s easy to work with and give feedback to artists that are used to evolving and exploring.

- He likes what entertains him now and would have when he was a kid/teen.

Lee Wade (Schwartz and Wade):

- Asks all new illustrators, “are you up for this?” There’s a steep learning curve for illustrators of picture books. It’s par for the course to get four pages of illustration notes as feedback on the dummy or sketches. Every round of sketches/illustrations has this kind of feedback from them.

- Consistency is one of the biggest challenges in picture books.

- hear/read the feedback comments and process them/interpret them in your own way.

- Questions she asks when looking at an art sample: Does she feel something? Know that kid? Know what the animal is thinking? Is there emotion? Is there a different take on the subject?

Saturday

Libba Bray:

- “Find the crack that lets the light in.” – let the characters be human, with cracks/flaws/gritty bits that let the reader grab on.

- “First you jump off the cliff, then you build the wings.” – quote by Ray Bradbury – There is nothing without the leap of faith. There’s no easy way; you have to do the work. You have to jump/feel the fear – if it’s not scary, it’s not worth it. “Join me in a year of writing dangerously.” (I’m in; are you?)

Laurent Linn (Simon and Schuster):

- Art samples – what came before and what came next?

- Characters are important.

- Kids see things in cinematic terms now. Illustrators should think this way too. Think of it like theater. You’re designing the costume, character, hair and makeup, set design, and lighting. Make them specific things.

- Left to right moves the action forward. Right to left can and will stop the action.

Ben Schrank (Razorbill):

- Voice and concept both have to be there, like Reeses Peanut Butter Cups – the chocolate and the peanut butter are both good, but great together.

- If your story has no link to the fantasy life or the real life of a reader, it won’t work for a publisher.

- What makes a success and a successful writer? It really pays to be nice, in addition to being confident and secure.

Arianne Lewin (Disney/Hyperion):

- Most of the books on her list are fantasy.

- Sees a lot of paranormal romance and dystopian.

- Story has to stay true to the MC.

- Ask: Is your concept workable? The world/magic has to have rules. Powers aren’t for sometimes or convenience. You have to account for everything your supernatural characters need. (2 authors with info on world building on their sites: Holly Black and Cinda Chima.)

- Need to figure out an organic way to show world and how it works, not just exposition.

- Keep a few loose threads for possible sequels or companion novels.

- Try to poke as many holes in your story as you can before sending it out because an editor or agent will do that.

- Need to have an end game/stakes. Make sure they are something your reader will care about.

- Think about your book. Who will it interest? Will the world relate to our world?

- Likes: fast paced, horror, being scared, anything that creates tension.

Sunday

Jim Benton:

- You are not your work.

- Your editors will make you better writers if you let them.

- If you don’t draw/write every day for fun, you should start (even if it’s writing obscenities to a loved one).

Agents Panel:

Tina Wexler: You should have a hobby that’s not related to writing/illustrating/day job. Then bring that into your writing.

George Nicholson: Really consider if your historical needs to be that time period.

Rosemary Stimola: Looks for something that stands out and asks if she can give a new client the time they need/want to be successful.

Jane Yolen:

- Remember: BIC and HOP (Butt In Chair and Heart On Page).

-You may never be the best, but you can always get better.

- No one outside of a fairytale expects a happy ending.

- In a meaningful ending, there must be a lifetime of discussions. Do not be afraid of the hard work.

- Fall through the words into the story. (I love this quote!)

- Sometimes simply simple is best, but not everything should be simplified.

- It’s not the opening line, but what it portends for the story. It’s the DNA of the book.

- There’s no such thing as the time fairy. You have to grab/take time. (I really wish there were a time fairy though. How cool would that be?)

- Details must be specific, like you’ve been there.

- We play all day with imaginary friends … of course we’re crazy.

- There are actually projects you will never complete. Walk away.

March Madness

March 2nd, 2010

March Madness has started, and this time it’s about writing, not basketball! Denise Jaden started a writing challenge for the month of March. It’s a good way to reach your goals for the month and there will be prizes!

My goals are:

1. Write at least 25k on my zombie WIP (and finish it if possible, though that’s not an official goal).

2. Remember to check in for March Madness at least 3x a week (daily if I can manage it).

There are check-in stations at the following blogs for each week day through the month of March:

Mondays – http://denisejaden.livejournal.com
Tuesdays – http://shanasilver.livejournal.com
Wednesdays – http://jenhayley.com/blog/
Thursdays – http://www.denisejaden.com/Blog.html
Fridays - http://shanasilver.livejournal.com
Saturdays – http://ellestraussbooks.blogspot.com
Sundays – http://jenhayley.com/blog/

For more info on prizes and how to participate, hop on over to this post on Denise Jaden’s blog. It’s not too late to join in!

What are your goals?

Teaser Tuesday – Zombie WIP

March 2nd, 2010

Kira’s observation about her cat and her roommate Sheila:

Technically we weren’t supposed to have pets, but there was no way I was going to leave Kitty-Kitty behind to fend for herself. Luckily, Sheila and Kitty-Kitty got along, probably because they had the same personality – stubborn.

Elephant Olympics?

February 23rd, 2010

Update: I’m working on a new digital paint style, trying different things to see what looks best. The top image is new, slightly altered from the first one (which is below it). Basically I’ve made it a bit more painterly and gotten rid of the black line. The third image is them together, side by side. Which one do you like better? (I’ve done this style before and showed it on my blog here.)

Sometimes when I watch the Olympics, I wonder about things, like do elephants have their own Olympic games? And if they do, would they have the same events as our Olympics? Here’s the first event that I imagined from their winter games – Elephant Figure Skating:

Olympic Elephant Skater (take 2)

Olympic Elephant Skater (take 2)

Figure Skating at the Elephant Olympics

Figure Skating at the Elephant Olympics

2 Elephant Skaters Side By Side

2 Elephant Skaters Side By Side

What do you think about when you watch the Olympics?

I’m thinking of drawing the Elephant Olympians  in the curling  event next. It cracks me up every time I imagine it. Plus, I need to work more on this new style; I haven’t mastered it yet.

p.s. Don’t worry, I’m not getting rid of my more graphic style, just trying something new.

writing quotes that inspire me

February 20th, 2010

Here are some of my favorite writing quotes (some of which I was fortunate to have heard in person). I hope they will inspire you too!

Trust yourself as a writer:

“Dare to find a voice that works for you.” – Wendelin Van Draanen

“Your internal critic exists to keep you from telling the truth. Writing is about taking risks, taking chances, feeling it down to your toes, conflict, loss, growth, believable characters.” – Libba Bray

“Any kind of writing is writing, and you don’t know what it will lead to.” – Christopher Paul Curtis

“There is a difference between literary and commercial styles. Know your style and write for it.” – Jodi Reamer

“Don’t worry about being funny for others, be funny for yourself.” – Gennifer Choldenko

“It’s what you do with the junk (ideas) that matters. Add light to junk in a cylinder and it becomes a rose window (kaleidoscope). Add light to ideas and they become a story.” – Rosemary Wells

(There are) “no guarantees that you will be good. If you don’t dare failure or mediocrity, you will never be a writer!” – Katherine Patterson

“You write out of your subconscious hauntings.” – Susan Cooper

Rules about writing:

“Writing a novel is not like fixing the toilet. It’s more like falling in love, and nobody knows what they are doing.” – Ann Brashares

“A story should contain at least: 1 belly laugh, 1 honest tear, and 1 gasp.” – Bruce Coville

“Great dialog works forever.” – Beverly Horowitz

“Girls are interested in more than just fashion and boys.” – Wendelin Van Draanen

“Don’t believe anyone’s rules. The only one that really counts is ‘write the damn book.’” – Jane Yolen

“What matters is turning the page.” – Brian Selznick (on FORTUNATELY by Remy Charlip)

“There are three rules for writing a novel. Unfortunately, no one knows what they are.” – Somerset Maugham

“Give yourself time for your subconscious to work … Even if you don’t come up with a solution on your list, it’s a warm up for your head, and you might think of it later (while in the shower or on a walk, etc.).” – Gennifer Choldenko

“The best time for planning a book is while you’re doing the dishes.” ~Agatha Christie

“One of your jobs is to persevere.” – Mac McCool

“The difference between a good movie and a B movie is that the characters in good movies are believable. The ones in B movies are more likely to go to their attic in their nightgown in the middle of the night to investigate a noise, which nobody would really do.” – Kathleen Duey

On being a writer:

“I wrote, because I could not dance.” – Karen Cushman

“A clean house is the sign of a wasted life.” – Donna Jo Napoli

“Books allow us to eavesdrop on another person’s soul.” – Katherine Patterson

“Writers are very private people who run around naked in public.” – Katherine Patterson

“It doesn’t have to be pompous to be great, it just has to have a core.” – Mark Siegel (FirstSecond)

“Life is uncertain. Eat dessert first.” – Ernestine Ulmer

“Write EVERY day, like it’s your JOB.” – Christopher Paul Curtis and Gennifer Choldenko both said this about how they work

there are a whole lot of mean girls in books

February 15th, 2010

I’ve read a lot of books with mean girls in them lately. Even books that aren’t about mean girls seem to have mean girls in them, and popular is often shorthand for mean girl. I have been thinking a lot about this subject as I’m writing my current YA and brainstorming my next one. Here are my (unscientific) thoughts on mean girls and writing:

We’ve all known a mean girl or two.

There are people (usually of an older generation) that claim to not have any experience with mean girls. Good for them. Maybe it’s true, maybe their memory has allowed them to forget, or maybe they were the mean girl. For the rest of us, we know what mean girls are all about. It’s human nature to want to control your world. Mean girls take that to another level.

In books, mean girls are almost always popular and all the girls want to be like them. They usually have money and/or status, are good looking (or have another attribute that makes up for it if they’re not), get all the hot guys, and rule the school. There’s a ring of truth to this, because there are a lot of popular girls that are also mean.

**However, not all popular girls are mean, just as not all mean girls are popular.**

Girls who are popular are usually labeled “mean girls.” Girls who are not popular get names like, “bully,” or “future serial killer.”

These are the mean girls that we’ve all read and heard about, the girls (popular or not) that pick on people for no apparent reason. The ones that make high school a living hell, and probably junior high / middle school as well. These are the girls you want to stay away from, keep off their radar, and hope that they don’t single you out for their brand of fun. They’re also, many times, the girls that other girls aspire to be. I don’t think this is because the other girls want to be that cruel, rather that they want immunity from the kind of torture that’s handed out.

There are other types of mean girls.

The mean girl that doesn’t usually get a label and isn’t recognized that often, is the “not in the popular group” and “not a bully for no reason” kind of mean girl. She’s not signaling out people for random torture, criticizing her friends, or dictating what they should wear. She is not a queen bee or a wanna be. What is she then? She could be one of two main types.

1. She’s a normal girl in a group that tends to have a stronger opinion than the rest of them. There’s usually a leader in any group of girls who are friends, whether popular or not, and even if there are only two or three in the group. One girl is the person that all the others look to for answers, like what to do on a Friday night or how to get the guy you like to notice you. She’s a perfectly nice person, most of the time.

2. She might be just a regular girl, not the group leader and usually nice to everyone. She also can’t handle stress. She can sway the group’s opinion with her emotions when she bombs on a test or her boyfriend breaks up with her. She’s angry and she takes it out on a friend – usually someone that didn’t do anything wrong, or did something by accident, not meaning to hurt her feelings or embarrass her.

Unfortunately, friends often have disagreements. With hormones raging, the stress of homework, finals, college applications, and boys, even the most friendly of girls could be a ticking time bomb.

Girls don’t get over their grudges that easily. Sometimes a girl is cast out and shunned from a group for weeks on end. This is a horrible experience to go through, but if that’s all it is, you will usually live through it, make up with your friends and go on to ignore someone else a few weeks later.

So, as writers, what can we do about mean girls?
We can write stories that shed light on the subject and provide a context for what’s happening (not preaching, not giving lessons, but telling real stories about characters that are the target of mean girls or are mean girls themselves).

We can write books about girls that aren’t in the popular group, but are still mean girls.

We can write books about girls aren’t mean girls or popular girls, but who are mean to each other. These girls exist just as much as the kind that are written about more often.

We can write books from the mean girl’s POV; what makes her tick?

We can write stories where there are no mean girls at all. Everyone needs an escape from real life.

We can recommend books about mean girls; there are a lot of them out there.

Mean Girl Books

Here are four books I recommend. If you read them all back to back, it’s a great way to see how mean girls can be handled in many different ways in children’s and YA books. Plus, they are all excellent books!

Some Girls Are by Courtney Summers – I love this book because it’s from a mean girl’s POV. It’s amazing and cringe-worthy. Here’s how the main character, Regina, describes who she and her friends are, “We’re the kind of popular that parents like to pretend doesn’t exist so they can sleep at night, and we’re the kind of popular that makes our peers unable to sleep at night.”

How to Be Popular by Meg Cabot – this is a great book to read after Courney’s. It’s a look at how one girl was able to take care of the mean girl that was harassing her and find a way to be true to herself at the same time. It’s fun to read such a light-hearted and positive mean girl book.

Going Bovine by Libba Bray – this book is not at all about mean girls and the main character is a boy. However, the mean girls still manage to get into the story. It’s a good way to see how mean girls are a facet of every day life for a lot of high school girls, and for boys too. It’s also a really great trip, has a garden gnome in it, and won the Printz award this year.

Two of a Kind written by Jacqui Robbins / illustrated by Matt Phelan – a picture book about mean girls and friendship. You don’t usually think about mean girls this young. Most books with mean girls are for YA or middle grade readers. It’s great that there’s a picture book that tackles the subject in such a thoughtful way, and the illustrations are spot on for the emotions involved.

What do you think about mean girls?

I’d love to hear what you think about this subject. What mean girl books would you recommend? What do you think we can do about mean girls, if anything? Any other thoughts you’d like to share?

promotional chickens

January 24th, 2010

I’m designing my postcards for the SCBWI winter conference next weekend. I had it all planned out when I realized that I wanted a different image on one side. I’ve already done several finishes for the chicken PB, but they were all similar emotion-wise. So I did a new finish from a different page in the dummy. On one side of the postcard will be the new image:

sruble postcard image 1

sruble postcard image 1

On the other side is one of the chickens I finished last week:

sruble postcard image 2

sruble postcard image 2

I also have new business cards with this image on one side (and a crop of the new image on the other side):

sruble's new business card

sruble's new business card

It’s always takes longer to design postcards and business cards than I think it will (not to mention that printing and cutting usually takes twice as long as I think it will). That’s why I started early this time, but it’s worth it if they turn out.

Update: all 105 postcards and business cards are printed and cut, and ready for the conference! This is the earliest I’ve ever been done with promo materials before a conference. Now all I have to do is finish all the art and stuff for my portfolio! Whew!